One of the most popular styles of Jazz guitarist is Chord Melody, countless number of people are learning chord melody and that too for quite a good reason.
Having an ability to play chords of jazz guitar, licks, bass notes and other stuff over the line of melody can increase the standard of Jazz, directly from the mundane to the brand new heights of melody and joy in your playing.
Although people are passionate about listening to the chord melodies and solo player of guitars, like Ted Greene, Ed Bickert, and Joe Pass and you might think that learning and playing melody chords are something that is out of reach, but that’s not the case.
Simply, once you learn and understand arrangements and concepts of guitar lessons, you will be able to develop your chord melody range, along with that you will learn different ways to craft your own melodies from the chord, which is something a very cool thing that you will be able to do.
Many guitarists are quite known with the notion of guide tones for jazz guitar. In general, these are basically the chords note, or in simple words chord tones, which lead the synchronization by given mode, i.e. minor or major and quality of the seventh chord used min7th, maj7th, Dom7th, and more.
What is a Chord Melody ?
The term chord melody directly refers to playing jazz guitar in both solo and group arrangements. A chord melody arrangement is crafted by matching alien of melody by adding double stops, chords, bass line, octaves, or other harmonic stuff underneath that line.
Although it might sound easy while reading, it is definitely not that simple.
More precisely, the guide tones of a chord are generally unstated as being the third and seventh of a specified chord. For example, in the chord CMaj7 that includes the notes C — E — G — B respectively, here the guide tones are understated as the notes B and E.
- The third on the chord is – note E, this note states that the style of the chord is basically major given that E is a major, i.e. third over the root (C).
- Now a seventh of the chord is – note B, this note states the type, or quality, of the seventh chord that it generally is, for instance – in this example, a major seventh chord, as B is a major seventh over the root.
Regardless of the knowledge in jazz, it is strongly recommended to be aware of the fact that the guide tones might not essentially the most vital chord notes.
For any guitar players familiar with the jazz playing, might find it quite common to figure out that they are humming simply the guide notes only when going through the altering in a tune. The guitar player can time and again get away with only these fairly easy; two notes voicing epically when a different musician – quite often the bass player, is making sure that he is playing the roots of the chord.
Chord Melody vs. Solo Guitar
It is strongly recommended to comprehend the fact that how solo guitar and chord melody arrangements are compared before you study them in a practice hall. Mutually both the approaches carve up to have related outlines and approaches that are the reason why many a times they are termed as the same stuff in a conversion. However, there are a few primary differences among the solo guitar and chord melody playing, which might make understanding and playing these two different guitar styles easier.
Before you begin the comparison between both the styles, there are numerous characteristic components of chord melody playing to note.
- Played with a small group of people – double, triple etc.
- Make use of smaller chord shapes, repeatedly without including the root
- Sticks on to the shape of the tune openly
- Keeps time checked with the count in and band
- Used to substitute the sole note head, which leads into the solo segment
Now, let’s check out the elements that set apart solo guitar playing and arranging.
- Played in a solo guitar situation, i.e. no band
- Make use of more root base and big chord shapes
- The shape becomes bendy for interpretation
- Tempo and Time are at the caution of the performer
- Can easily be played as a standalone hymn, or as the intro of the song having a combo version
As it is clear that both of this approach engage making of a melody line, they make use of diverse melodic approaches and are played in dissimilar musical conditions. Considering these distinctions can assist you to decide on the apt approach for your subsequently solo guitar or chord melody arrangement.